Editions

Umah Tsuki's black-clad cantilevered volume seen through the surrounding tree canopy

I/V

A dark timber-framed corner of Umah Tsuki seen through tree branches

LAND SIZE

2500 m2

YEAR

2023

LOCATION

MENGWI, BALI

TSUKI (月 - Moon)

Our first expression, and the seed from which a growing collection has since grown, each edition shaped by the same quiet reverence for nature and the pace of slow living.

Set into a sloping site in Tumbak Bayuh, Bali, Umah Tsuki is a four-bedroom, four-level family home, conceived by a former chef whose pursuit of a simpler, richer life closer to nature led him to design. Encased in shou sugi ban cladding under a sweeping roofline, a set of cantilevered volumes reference an archetypal Japanese wood cabin. Across 600 square metres, the constellation of spaces appears to float above a tranquil rock garden and koi pond. A chef’s kitchen anchors the home, and an open-air wellness centre sits alongside the river. Extensive windows keep the rewilded jungle in constant view.

Tsuki's terrace living room under a teak ceiling: a low timber table and grey sofa facing the jungle, a paper lamp by the glass

Tsuki floats in the Jungle: Teak overhead, green on every side, and somewhere past the trees the rice fields glow. Sit down, and the whole green world comes in to join you.

A teak-panelled interior corner of Umah Tsuki

One round window, and the whole garden looks back. Charred timber, warm teak, and a stair that barely touches the ground.

Umah Tsuki's wood-panelled kitchen and dining area beneath a woven pendant light
A dark timber-slatted hallway opening onto a garden path and bench

In both materials and construction, Umah Tsuki emphasizes provenance hand-built on site from locally sourced paras stone and recycled ulin hardwood, its traditional techniques and meticulous finishes set the scene for a quality of life attuned to the essential.

Twenty years of service taught one thing above all a home doesn't gather around a view, it gathers around a kitchen. So Tsuki's kitchen was never an afterthought. It sits at the heart of the home.

Umah Tsuki's pool deck framed by surrounding trees

“Designed to belong, Tsuki editions disappear into the landscape, honoring the land rather than overtaking it”

A bedroom with a glowing bedside lamp and patterned throw pillows
A dog resting on a covered porch against a dark timber-slatted wall
A covered porch with lounge chairs overlooking a stone-walled garden and staircase
Umah Tsuki's timber pool deck beneath a dark roof overhang, opening onto the jungle
Charred timber slats beside a covered walkway, with a shingled pavilion roof among tropical foliage

I/V

Ferns arching over a still koi pond edged with river stones

LAND SIZE

1500 M2

YEAR

2026

LOCATION

MENGWI, BALI

SORA (空 - Sky)

Across 300 square metres, Sora carries the same quiet reverence for nature as Tsuki: a two-bedroom home and guest house with a separate office.

Recycled ulin timber, charred in the yakisugi tradition, turns the cladding a deep, quiet black, a Colvin Haven signature, set against warm local teak and river stone from Bali. Restraint does the work: nothing more is needed, and nothing can be taken away. A wellness centre and a koi pond settle into gardens planted long before the house was finished. The office stands apart, so the working day can end when you close its door.

A covered walkway between two of Umah Sora's overlapping roof planes

An open-air corridor keeps you connected to the elements, every step of the way. The roof gives shades, and the garden stays within reach. Step slowly: the walkway was made for it.

A built-in wooden bench against Umah Sora's dark timber-slatted wall

An old piece of solid teak, brought back to life. Sit here and be still.

A shoji-screened bedroom opening onto a dark timber corridor at Umah Sora
A round window set into Umah Sora's timber facade, opening onto a garden view

Sora floats over its natural landscape. We studied older Japanese facades to give this house a timeless feel, where the new meets the old. Classic, refined by our local craftsmen, and not one line out of order.

There are many places here to sit and be still, and this is one of the best for the morning. Bring a coffee. Watch the gardens wake up, the farmers move through the paddies and the light reach Mount Batukaru. It’s a view that has been here long before the house.

Visits to Sora are by invitation.

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A living room opening onto Umah Sora's pool through full-height glass
A cloud-pruned pine beside Umah Sora's dark timber-clad entrance
A framed artwork of scattered blue dots beside Umah Sora's kitchen counter
A round paper pendant light above Umah Sora's kitchen counter

Every home has a room where everyone ends up and here it is the kitchen. Designing a home is a lot like cooking, you start with blank canvas then you decide how it should taste, feel, and look.

The design is one thing, but lighting is where the magic comes from. The washi lantern above the counter comes from an old paper lamp company in Japan, made with traditional techniques that have been passed down for generations. We source many of the lights in our home, and now we design a number of them ourselves.

A living room at Umah Sora opening onto its pool and garden

Welcome to the living room: the place to go gather with friends and family. When the day warms up, the natural salt pool is just beyond the sofa.

A framed artwork of scattered blue dots beside Umah Sora's kitchen counter

Seven steps down come up and the day gets quieter. Welcome to Sora.

An outdoor lounge and dining area beneath a pyramid roof, overlooking a pool
THE COLLECTION

Two series so far, both in Indonesia

TSUKI, THE MOON.
SORA, THE SKY

Each closes when it’s complete.

Some are complete,
Some are under construction,
Some are still waiting for their land.

Only ten will be built. See which homes are left.

Write to us
Silhouetted palm trees against an amber sunset sky

I/V

Umah Tsuki's black-clad cantilevered volume seen through the surrounding tree canopy
Umah Tsuki's peaked rooflineTsuki's living room under a teak ceiling, a lamp and sofa on the terrace above the jungle

Tsuki floats in the Jungle: Teak overhead, green on every side, and somewhere pass the trees the rice fields glow. Sit down, and the whole green world comes in to join you.

A teak-panelled interior corner of Umah Tsuki

One round window, and the whole garden looks back. Charred timber, warm teak, and a stair that barely touches the ground.

Umah Tsuki's wood-panelled kitchen and dining area beneath a woven pendant light

In both materials and construction, Umah Tsuki emphasizes provenance hand-built on site from locally sourced paras stone and recycled ulin hardwood, its traditional techniques and meticulous finishes set the scene for a quality of life attuned to the essential.

Twenty years of service taught one thing above all a home doesn't gather around a view, it gathers around a kitchen. So Tsuki's kitchen was never an afterthought. It sits at the heart of the home.

A dark timber-slatted hallway opening onto a garden path and bench
Umah Tsuki's pool deck framed by surrounding trees

“Designed to belong, Tsuki editions disappear into the landscape, honoring the land rather than overtaking it”

A bedroom with a glowing bedside lamp and patterned throw pillows
A dog resting on a covered porch against a dark timber-slatted wall
A covered porch with lounge chairs overlooking a stone-walled garden and staircase
Umah Tsuki's timber pool deck beneath a dark roof overhang, opening onto the jungle

I/V

Charred timber slats beside a covered walkway, with a shingled pavilion roof among tropical foliage
A covered walkway between two of Umah Sora's overlapping roof planes

An open-air corridor keeps you connected to the elements, every step of the way. The roof gives shades, and the garden stays within reach. Step slowly: the walkway was made for it.

A built-in wooden bench against Umah Sora's dark timber-slatted wall

An old piece of solid teak, brought back to life. Sit here and be still.

A shoji-screened bedroom opening onto a dark timber corridor at Umah Sora

Sora floats over its natural landscape. We studied older Japanese facades to give this house a timeless feel, where the new meets the old. Classic, refined by our local craftsmen, and not one line out of order.

There are many places here to sit and be still, and this is one of the best for the morning. Bring a coffee. Watch the gardens wake up, the farmers move though the paddies and the light reach Mount Batukaru. It’s a view that has been here long before the house.

Visits to Sora are by invitation.

Write to us
A round window set into Umah Sora's timber facade, opening onto a garden view
A living room opening onto Umah Sora's pool through full-height glass
A cloud-pruned pine beside Umah Sora's dark timber-clad entrance
A framed artwork of scattered blue dots beside Umah Sora's kitchen counter
A round paper pendant light above Umah Sora's kitchen counter

Every home has a room where everyone ends up and here it is the kitchen. Designing a home is a lot like cooking, you start with blank canvas then you decide how it should taste, feel, and look.

The design is one thing, but lighting is where the magic comes from. The washi lantern above the counter comes from an old paper lamp company in Japan, made with traditional techniques that have been passed down for generations. We source many of the lights in our home, and now we design number of them ourselves.

An outdoor lounge and dining area beneath a pyramid roof, overlooking a pool

THE COLLECTION

Two series so far, both in Indonesia

TSUKI, THE MOON. SORA, THE SKY

Each closes when it’s complete.

Some are complete,

Some are under construction,

Some are still waiting for their land.

Only ten will be built. See which homes are left.

Write to us